Who is Super star of Indian cinema?

Who is the All time indian best dancer of Indian Cinema?

Chennai Express Shattering Opening on Box Office

Accordind to Taran adarsh :

Records are meant to be broken and # chennai Xpress is doing just tht collects RS 28.05 cr nett.This Xpress is flying High!

#Chennai Xpress is on record-smashing Thu Previews-6.75 cr, Fri-33.12 cr,Sat 28.05 cr. Total in Just two days= 67.92 cr nett. Monstrous Weekend.

Ready steady Po

Guru Dutt was a True Legent

Guru Dutt. 1925-1964
Like Alfred Hitchcock in the US, Guru Dutt never strayed outside the confines of mainstream cinema. He played by the rules for almost the whole of his career; his only foray into artier turf, Kaagaz ke Phool, was a box office bomb. But like Hitchcock his sequences redefined how movies could be shot; his technical prowess and storytelling genius made all the conventions of pop cinema new again.
He is remembered in the history of Indian cinema as the brooding intense romantic who attempted to reflect the changing social situation in India in the fifties. Within his short life, he created some of India's most socially-conscious movies like Pyaasa(Thirsty, 1957), Kaagaz ke Phool (Paper Flowers, 1960) and Baazi (1951). He also introduced Waheeda Rehman inCID (1956) and propelled her to stardom through his films.
Born in Calcutta in 1925, Guru Dutt worked as a telephone operator before he embarked on his career as an actor and director in 1944. The fifties was the time when India, under Nehru's brand of state socialism, was embarking on massive industrialization. The conventional wisdom has it that rapid changes introduced by industrialization were undermining traditional values'. What is certain is that industrialization, and the accompanying migration from rural to urban areas, was creating -- as it still does in India -- anomie, dislocation, and new social norms. In the urban environment, new social relations developed. It is, therefore, not surprising that a recurring theme in his films is the attraction, bound to be fatal, that develops between a middle class girl and a tough but likeable character from the lower class. His most memorable movie in this genre is probably Pyaasa. Inspired by Sarat Chandra's novel, Srikanta, it depicts the romance between a poet and a prostitute. The genuine poet cannot survive amidst philistines and publishers interested only in profiteering: the spectre of the big city is everywhere in Guru Dutt's films.

DEEWAR HINDI MOVIE 1975

UTSAV CLASSIC HINDI MOVIE 1983

OUATIMD Distributed details

Once Upon A Time In Mumbai Dobara' will be Distributed by B4U in Overseas. Balaji Films sold the overseas rights for a moderate price.

Releasing on 15th August !!!